With a great cast and some really fun visuals, ‘Ford v Ferrari’ makes an argument for what the modern American movie will look like.
The new streaming service, which launched on November 1st, promises a different kind of conversation.
Edward Norton discusses the setting and story of his new film, ‘Motherless Brooklyn,’ at the New York Film Festival’s closing night
The closing night film at New York Film Festival, “Motherless Brooklyn” is an exercise in self-indulgence from Edward Norton, a hodge-podge of ideas without any real cohesion.
The first film directed by a Black woman to premiere at Cannes, “Atlantics” is a haunted look at the many different victims of Africa’s refugee crisis.
With his newest film ‘Wasp Network,’ Olivier Assayas makes a film that defies comprehension and wastes a promising cast on a shoddy script.
From one of Romania’s best-known directors, ‘The Whistlers’ is… something, alright.
In ‘Sibyl,’ the relationship between art and psychology becomes the basis for an overwrought psychosexual drama. But etched within is also one of the New York Film Festival’s funniest movies.
With ‘Marriage Story’, Noah Baumbach makes a spiritual parallel to ‘The Squid and the Whale’ that also gives Scarlett Johansson and Adam Driver their best roles to date in the NYFF Centerpiece.
Constantly zigging where you expect it to zag, ‘Bacurau’ is a political satire… until it becomes something far more different and creative.