Giving us all a well needed disconnect from reality, ROLL THE BONES (RTB) theatre company transformed audience members to simpler times with immersive theatre experience, No. 9.
A delightful excuse to bond, No. 9 is designed for pairs who are willing to unplug for an hour to escape into one of three worlds: Asheville, North Carolina in 1986, Redding, Connecticut in 2007 or where we ended up; in 1993 chilling outside of a trailer in Twentynine Palms, California with our host, Lynne. Before the experience began, each pair received a watch preset to go off after an hour; which marked the end of our visit.
It was a starry night in Twentynine Palms on October 13, and friends and partners were kicked back on lawn chairs with a cooler full of beers and powdered sparkling cider. In addition to the dim lighting, sounds of crickets and life like set; Lynne’s nomadic and welcoming spirit ignited an eclectic mix of conversations ranging from constellations, the vibrations crystals and humans share and the emergence of TLC.
Created and directed by RTB Artistic Director, Taylor Myers, and Michael Ryterband, No. 9 is “ a human-centric answer to the loneliness epidemic of the digital age.” The production was accompanied by a seamless shift to the Dead Letter Restaurant and Cocktail Lounge where audience memembers were served chili, pizza, and other comfort foods and cocktails.
Opened to the public on October 14, No. 9 is set to run through early November. Tickets can be purchased on their website.
Casita Maria’s Fiesta! was held for the first time since the pandemic in New York City’s Plaza Hotel on October 11. The event honored Latino groundbreakers such as Puerto Rican Postwar and Contemporary artist Tony Bechara, chairman of the NBCUniversal New Group, Cesar Conde; and immigration rights leader Gaby Pacheco.
As the son of immigrants, Cesar Conde took to the stage with gratitude for both Casita Maria and his parents. “They always taught us, the one thing in life that no one could ever take away from you is your education,” Conde recalled. “The work that Casita Maria is doing in educating and empowering our youth and opening up all those opportunities in life for them, that is the work that is priceless,” he marveled. Tony Bechara expressed the same sentiment noting, “I want to thank Casita Maria because many, many years ago, waves of compatriots of mine from Puerto Rico were arriving here in New York looking for a better life. New York being the beacon of hope. There was no one to help them. Casita Maria filled that void. They were the first to do it.”
