If South by Southwest is all about the movies, The Cinema Center is where everyone goes to celebrate them. The festival, which ran from March 12–18 in downtown Austin, saw the premieres of over 50 films, and lively celebrations followed.
At SXSW, Sender arrived as exactly the kind of indie the festival has long championed: strange, intimate, and quietly ambitious.
At a time of fear and uncertainty, The Saviors leans into that unease, and then pushes it further.
The South by Southwest Film & TV Festival returned to Austin from March 13–21, bringing with it a bold slate of premieres that reflect the anxieties, absurdities, and unexpected joys of the current moment. From genre-bending thrillers to sharp industry satire, this year’s standout debuts don’t just entertain, they process.
Friends, colleagues, and fans came together to honor the late Michael K. Williams on what would have been his 58th birthday.
Delivering Good’s annual gala at Gotham Hall in New York City on Tuesday night was a celebration of relief work that raised a record-breaking $1.5 million in crisis.
“It will be diplomats who will end the war in Ukraine. It will be diplomats that end the war in Gaza, in Israel, and in Lebanon.” With those words, writer Debora Cahn kicked off the debut of season 2 of her timely political thriller The Diplomat.
Visual artist Laurie Simmons is a seasoned storyteller in her own right who makes a promising but flat attempt at a narrative film with “My Art.”
Singer/actress Mia Maestro has been working in American shows and films for over a decade but she’s remained connected to her native city Buenos Aires, Argentina.