In a minimalist wooden space that looks like a cross between a zen buddhist temple and a community center, a priest asks a diverse assortment of Japanese men and women to simulate death.
In 1971, Chris Burden asked an acquaintance to shoot at him with a rifle.
Eccentric genre-bender Nacho Vigalondo has just come out with Colossal, a kaiju-indie dramedy hybrid that pits Anne Hathaway in Rachel Getting Married-mode against giant lizards, angry robots, and toxic masculinity.
A space vehicle chase scene in the desert; all wide shots with Kubrickian symmetry.
Anne Hathaway fights giant robots and toxic masculinity simultaneously in this kaiju-meets-indie flick.
Jay Paul Deratany’s Haram! Iran! follows the trial of two Iranian teenage boys accused of homosexual relations.
“I’m too young to be seventeen,” confesses Dusty in All This Panic (2016), fine art photographer Jenny Gage’s debut documentary.
In a corner of Grand Central station, HBO has set up a promotional event for its documentary The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble (2017).