Theater is continually expanding its audience. We encounter history through hip-hop. Shakespeare comes to Central Park, making his plays accessible to people from all walks of life.
Emily Dickinson warned that “Fame is a fickle food upon a shifting plate.” Yet every year, aspiring artists flock to Nashville in pursuit of it.
A ticking sound fills the air. Hope sits alone on a park bench, facing the Climate Clock in Union Square.
Founded in 1961, La Mama is the only original Off-Off Broadway venue still in operation. Created as a force for change, it remains a haven where artists can develop new works free from censorship.
SoHo Playhouse’s mission is to support “work that changes minds, encourages discussion, and opens hearts” by incubating new works. It also saves audiences the time and expense of traveling to the Edinburgh Fringe Festival by bringing standout productions to New York City.
Founded in 2001, the Downtown Urban Arts Festival (DUAF) was created to give a new generation of writers a platform for free expression.
Playbill ran a feature that stated, ‘Mexodus‘ Has Been Called ‘The Next Hamilton.’ Its Creators Don’t Mind the Comparison.” This comparison is unfair to the two unique but very different productions.
At the back of the stage hangs a large poster of three men with their clasped hands raised. Across the top are the words “The Power of Positivity,” and at the bottom, “Sky’s not the limit—your will is.”
Soho Playhouse has brought Edinburgh Fringe productions to New York.
It is a pleasure to welcome The New Jersey Repertory Company to New York. The company was founded in 1997. They aimed to make a lasting contribution by developing and producing new plays.
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