I was wary of maybe a feature or two on Aesop’s next album, considering Homeboy Sandman toured with him and Rob Sonic (Hail Mary Mallon).
The thought of a full project didn’t really cross my mind. After all, Boy Sand and Aes rhyme on different frequencies. Although returning to that thought, I realize the strength present in the combo of eclectic lyricist and grounded storyteller. Boy Sand, the latter in my description, was clearly working harder at his wordplay on this project to match speeds with Aes who in turn presented more solid and tangible metaphors. Across the five short tracks, it’s crazy to see how much the two emcees adapted their styles to flow together more naturally. Stepping out of their well worn comfort zones, both rappers probably came out of the EP with a fresh edge to their craft.
To speak on the EP itself, I really loved it. It’s an eccentric version of Barrel Brothers (Skyzoo & Torae). The record is an undeniable bar fest, each track stacked with enough wordplay to last a Fahrenheit 411 induced drought, there’s no question this was meant to be a gym for Aes and Boy Sand’s verbal flexing. The production is solid as well, it doesn’t blow you away but it’s not really supposed to, rather each beat sets a specific landscape insisting the duo to bend their style in accordance. You know when you’re playing Smash Bros? It’s like that! You don’t play every stage the same…unless you’re a lame and choose Link. The duo switches weaponry across the varying instrumentals without reluctance, coming off the project with seasoning on their styles. I’m convinced Boy Sand and Aes can take on anything together, even Jungle Japes.
art by your homie, Arthur Banach
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