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Julian Cannon

Julian Cannon is a seasoned entertainment editor with a keen eye for capturing the pulse of the industry. With a career spanning over a decade, he has become a trusted voice in the realm of TV, movies, events, conventions, and red carpets. Julian's expertise lies in delivering insightful commentary on the latest trends, exclusive interviews with industry luminaries, and comprehensive coverage of high-profile events. Twitter: @Julianexcalibur Instagram: @Julianexcalibur Contact: Julian.theknockturnal@gmail.com

RZA Wu Wednesdays 2023
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Exclusive: RZA Expressed Why He Wanted to Start His Radio Show, Wu-Wednesdays

by Julian Cannon
written by Julian Cannon

In a groundbreaking move, RZA, the visionary force behind the iconic Wu-Tang Clan, is poised to captivate audiences with his latest venture—Wu-Wednesdays, a dynamic radio show set to debut on LL COOL J’s esteemed Rock The Bells Radio on SiriusXM, broadcasting on Channel 43. This innovative platform promises a sonic journey through the rich tapestry of Wu-Tang Clan’s storied legacy, showcasing classic tracks that have left an indelible mark on the genre.

 However, Wu-Wednesdays goes beyond the realm of nostalgia, offering an immersive experience with exclusive DJ mixes, unreleased musical gems, and engaging interviews with special guests. RZA, known for his groundbreaking contributions to the hip-hop landscape, invites listeners to join him on a weekly exploration of the past, present, and future of the Wu-Tang legacy, making Wednesday nights a must-listen for hip-hop enthusiasts and music connoisseurs alike.

We recently caught up with RZA. Embarking on a project he has long harbored a desire for, RZA expressed his enthusiasm for the upcoming launch of “Wu-Wednesdays” on LL COOL J’s Rock The Bells Radio. Reflecting on the journey, he revealed, “Well, it’s just something I’ve been wanting to do for years. It’s funny because maybe five years ago I was going to do it with the BBC, and then I was going to do it right in New York with Hot 97,” he said. In essence, RZA sees Rock The Bells Radio as the ideal platform to bring “Wu-Wednesdays” to life, aligning seamlessly with the station’s significance in the hip-hop landscape.

RZA acknowledged, “It’s something that I probably had in my creative wheelhouse and never really got a chance to fully explore. And now I do have the chance, and I’m looking forward to exploring it.” RZA has always wanted to do radio, so this radio venture represents the fulfillment of a creative aspiration he had for years.

RZA also highlighted the importance of staying authentic to different demographics as Wu Tang Clan’s music is geared towards Gen X, older and younger Millennials while also Gen Z, who is discovering it for the first time. The optimal approach is to retain your talent and music within your creative arsenal. Wu-Tang Clan, in particular, has carved out a distinctive subgenre within hip-hop, evident in their expansive catalog that could arguably require the collaboration of a substantial portion of the hip-hop community to match. It’s extensive catalog serves as a perpetual source of discovery, marking a rite of passage for generations—from Wu-Tang’s inception to the present day. Countless enthusiasts have attested that their initiation into the realm of hip-hop stemmed from the transformative experience of engaging with Wu-Tang’s seminal works like “36 Chambers” or other projects within the Wu-Tang Clan.

“I think that Wu-Tang, especially in our first 5 to 7 albums, are capturing the youth energy of the world, especially of America, of our community, but of the world because you get nine points of view of young energy. And I think when somebody hears it, that is something that relates to them. A kid could be 14 years old and he’s ready to bring the ruckus. A kid could be 19 about to go to college and think about his parents and growing up saying why life can be all so simple. Or a kid could be exploring life and getting into the job market and realize cash can rule around him,” he said.

Also during our discussion about the intricacies of musical production, RZA delves into the episode of sampling on “Wu-Tang: American Saga,” shedding light on the artistry and innovation that defined the group’s distinctive sound. With a narrative that intertwines personal anecdotes and creative processes, RZA offers a unique glimpse into the transformative role of sampling in shaping the Wu-Tang Clan’s iconic tracks.

“That was the intention of that when we sat down and we decided how we wanted to explain it,” said RZA. “We thought about other movies that did great music documentaries, whether it was Rocketman or whether it was, you know, James Brown or all these biopics. Everybody has a way of going into showing the creation of music. But for hip hop, it’s a different formula, a different process. And we said the only way to do it is to actually see if we could go into the mind of the producer and explain what he’s doing. And as I explained it in the writers room, we were able to put it in writing and we had Mario Van Peebles, a very intelligent director. He was able to then take that and translate it into the episode that we saw, which I think is good enough to be shown in classes. I think it’s like an educational tool. You could take that now and use it as a reference to understand the process of hip hop creativity and production.”

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raising kanan season 4
EntertainmentTV

Starz Renews Power Book III: Raising Kanan for its Fourth Season

by Julian Cannon
written by Julian Cannon
 STARZ has officially announced the commencement of production for the fourth season of its esteemed family crime drama, “Power Book III: Raising Kanan.”
This milestone comes ahead of the highly anticipated premiere of its third season on December 1. Production is scheduled to commence this week in New York.

Kathryn Busby, President of Original Programming for STARZ, expressed enthusiasm about continuing Kanan Stark’s narrative. She anticipates that viewers, following the intense events unfolding in the third season, will demand more insights into Kanan’s character, exploring how his formative years shape the cold-hearted villain introduced in the original ‘Power’ series. Notably, “Power Book III: Raising Kanan” is the first Power spinoff to reach its fourth season, highlighting its enduring success. The fourth season is slated for debut in 2024.

They set season three to debut on December 1, with subsequent episodes released weekly on Fridays at midnight ET on the STARZ app and all STARZ streaming and on-demand platforms. The linear premiere is scheduled for 8:00 p.m. ET/PT on STARZ in the U.S. and 9:00 pm ET in Canada.

Set against the backdrop of the early 1990s, the series explores the origin story of the beloved character, Kanan Stark, as he enters the criminal world under the ruthless leadership of his mother, Raquel “Raq” Thomas. The cast includes MeKai Curtis as Kanan, Tony® Award winner Patina Miller as Raq, Omar Epps as Detective Malcolm Howard, and a stellar ensemble portraying other key characters.

Sascha Penn will resume his role as the showrunner and executive producer for the upcoming fourth season. The “Power” Universe series continues to be executive produced by Courtney A. Kemp, creator and showrunner of the original “Power,” Curtis “50 Cent” Jackson, and Mark Canton. Additional executive producers include Chris Selak and Kevin Fox. The series is produced by Lionsgate Television for STARZ.

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Power Book III Raising Kanan 3x01
EntertainmentTV

Power Book III: Raising Kanan Season 3, Episode 1 Preview

by Julian Cannon
written by Julian Cannon

Power Book III: Raising Kanan is gearing up for an eagerly awaited return on December 1st, marking the arrival of its highly anticipated third season. The stakes are set high, especially after the intense season two finale, where Unique’s unexpected intervention during Sal’s multi-group assault left fans on the edge of their seats. As the premiere date approaches, viewers are eager to witness the repercussions unfold for pivotal characters like Kanan, Raquel, Howard, and Unique.

Having had the exclusive opportunity to preview the first three episodes of Raising Kanan’s third season, this non-spoiler preview aims to shed light on what audiences can anticipate in the Season 3 premiere. One notable highlight is the deeper exploration of Unique’s character as his family takes center stage, providing additional layers to his enigmatic persona. Joey Bada$$ is garnering praise for his portrayal, infusing Unique’s character with a more human and nuanced dimension.

The episode delves into Kanan’s evolving sense of distrust towards Raquel, stemming from past events, as he embarks on a quest to uncover the truth about her. Alongside this central narrative, there is an intriguing subplot involving Kanan and Famous, who harbor aspirations of entering the world of illegal business. Simultaneously, law enforcement becomes more vigilant in response to the escalating drug trade, a direct consequence of the Season 2 finale’s bloodbath.

Jukebox’s storyline takes a poignant turn as she grapples with the aftermath of her mother’s death from the Season 2 finale. This sets the emotional tone for her character arc throughout the season, with an anticipated heart-rending scene between Jukebox and Raquel promising to add significant depth to the storyline.

Viewers are advised to brace themselves for two unexpected scenes—one featuring an unforeseen plot twist and another described as a jaw-dropping moment that will leave them questioning the reality of the events.

The first episode of Raising Kanan’s third season sets the tone with a grounded and grittier atmosphere. The characters, navigating through unforeseen situations, promise heightened suspense and drama. The commendable direction of the episode not only captures attention but also sets the stage for a season filled with unforeseen twists and turns, elevating the overall viewing experience for fans of the Power series.

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Fear TWD series finale
EntertainmentTV

Fear The Walking Dead Series Finale Review: A Fan Service Overload

by Julian Cannon
written by Julian Cannon

When Fear The Walking Dead debuted in 2015, it had a different premise and expanded on the idea of showcasing how the zombie outbreak happened on the west side of the United States. Characters such as Madison, Alicia, Troy, and Strand became household names as Fear gave us interesting stories from them.

Seasons 1 to 3 are regarded as the best seasons of Fear as the quality was compared to the main show. Season 4 onwards, with the exception of season 6, has been met with average to low quality reception as the show deteriorated from what it once was.

This week marks the end of Fear The Walking Dead and I wish I could say that there was anything that I liked outside of Alicia and Madison’s reunion. That is because the same tropes of this whole season kept coming back to bite me. Everyone was just out of character with these big long speeches, walkie talkies, a bad script that should have been flushed down the toilet, and non-essential plot twists that made no sense whatsoever.

I’ve noticed that the recent story progression in the last two episodes of the show, up to the reunion, bears a striking resemblance to The Walking Dead’s final episode from last year. A side-by-side comparison reveals undeniable similarities. I’m puzzled as to why Troy was brought back only to be killed off four episodes later, especially considering he never posed a convincing and credible threat throughout his entire time on screen.

Alicia’s cult storyline continues to be a source of frustration for me and I am glad that it is over. The portrayal of these kids, who talk and act like full-grown adults, feels unrealistic and detracts from the narrative.The ongoing conversation about PADRE appears dull and inconsequential, lacking a clear purpose. Tracy’s revelation that Alicia is her mom sparks timeline questions, especially considering Alicia’s near-death experience from radiation seven years ago. However, the plot twist reveals that Tracy is not actually Alicia’s mom. Huh, talk about a stupid fucking turn of events!

It appears that the showrunners introduced fan service moments to distract from the issues of pacing and writing for the series finale of Fear The Walking Dead. Despite these concerns, the reunion was well-executed and perhaps the most natural one this season.

When I think about Fear The Walking Dead, all I can see is the wasted potential it had. Unlike (to an extent) World Beyond, Dead City, Daryl Dixon, and even Tales, Fear’s writing has been all over the place since season 3. It’s too obsessed with throwing in easter eggs and reminding us of the good old days instead of telling a solid story.

The ending felt like a letdown, and it seems like they did it just to get people hyped for ANOTHER potential spinoff with the leftover Clark family members. It’s a bit of a mess, to be honest and this show and the actors and staff deserve way better than what they, and the fans got.

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Exclusive: Power Book IV: Force Showrunner Gary Lennon and Joseph Sikora Explains Why Showcasing Chicago Authentically Mattered on its Second Season

by Julian Cannon
written by Julian Cannon

In its recently concluded second season, Power Book IV: Force, guided by showrunner Gary Lennon’s creative direction, has successfully embraced a distinctive and authentic approach, immersing viewers in the vibrant and dynamic inner workings of Chicago rather than having it as a backdrop. Diverging from conventional narratives, Lennon steered the series towards an exploration of the city’s unique character, infusing authenticity into the storyline.

This deliberate shift provided a spotlight on Chicago’s diverse landscapes, cultural nuances, and societal intricacies, offering viewers a richer and more genuine viewing experience. Lennon’s creative vision not only captivated audiences with a compelling storyline but also ensured an immersive journey into the authentic essence of Chicago throughout the season.

“I needed to constrict and expand what didn’t work in season one. I think collectively we all, even myself as a fan of power and a writer of the original show Power as well, didn’t love Season one. I thought there were a lot of missteps. I thought there were a lot of opportunities that weren’t taken advantage of. And so what I did was I just sat with my writers in a room and I said, ‘I don’t think this works, I think we could lose this. I think we could lose that,’” he said.

Driven by a passion for street life, grit, and crime narratives in writing, Lennon expressed a desire to reintroduce these elements into the narrative landscape. Dissatisfied with the initial season’s portrayal, the creative vision sought to capture a more authentic essence reflective of Chicago. This quest led to extensive exploration, riding around in vans to observe locations tied to real-life incidents, aiming to infuse the series with the city’s distinct atmosphere. Intriguingly, Lennon emphasized a keen interest in juxtaposing high-end and low-end dynamics, adding further layers to the storytelling approach.

“Our job as writers was to tell the stories that we were interested in telling and to get rid of the ones like, for example, dahlia. None of us in the writers room felt like that was an interesting story line, and so we jetted it right away and moved on. I knew that I wanted to bring the feds into the story since Tommy had faked his death in New York in the end of the other show so I wanted the feds to become aware of that,” he said.

Lennon is not alone. Joseph Sikora, who plays Tommy Egan and is also a Chicago native, emphasized the significance of highlighting specific moments in the narrative, such as when the character is at the bus stop or during scenes set in a Serbian restaurant. He expressed that these instances capture the life and essence of the city, serving as its lifeblood. Sikora noted the tendency to overlook the intricacies when focusing too narrowly on individual elements, likening it to not seeing the forest for the trees. In commending Gary Lennon, Sikora praised the showrunner’s exceptional ability to portray the distinctive facets of Chicago, steering away from broad strokes and opting for a nuanced approach instead of relying on overarching, generalized images.

“I think that Gary did a really wonderful job of balancing what the reality of Chicago is and that is obviously a very diverse community and population, but also very sectionalized and a very heavy Latin influence. And instead of just using Chicago as a backdrop, I think that we’ve all seen downtown, we’ve all seen the beautiful skyline of Chicago and on the river. But sometimes you haven’t just seen the super marcato, you know, and you haven’t just seen the places in Little Village and actually filming in these neighborhoods where this is supposed to take place,” said Sikora.

Joseph Sikora acknowledging the exceptional contributions to the show’s visual storytelling, credit is extended to the remarkable Director of Photography, Joe Jody Williams. Sikora said his consistent and outstanding work throughout the season was integral to its success. Williams played a crucial role in orchestrating a beautiful and cohesive visual narrative, ensuring a seamless and consistent look that carried through from the beginning to the end of the season. The resulting visual continuity added depth and coherence to the overall storytelling experience.

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EntertainmentTV

Power Book IV: Force Season 2 Finale Review

by Julian Cannon
written by Julian Cannon

Power Book IV: Force concluded its season with a strong and well-crafted finale, maintaining viewer engagement and setting the stage for future developments. While not reaching the same impact as the Ghost Season 3 finale personally, Force managed to deliver a satisfying conclusion.

One commendable aspect of the finale was the writers’ choice to exercise restraint by avoiding major character deaths. The prediction regarding Vic’s survival proved accurate, and the evolving dynamic between him and Tommy introduces compelling storylines for the upcoming season. The anticipation surrounding their alliance adds an intriguing layer of suspense likely to carry into Season 3.

Claudia’s imprisonment represents a pivotal development, positioning her as a significant player akin to characters like Dre or Andrea. The expectation of her continued influence until at least Season 4 or 5 brings complexity to the narrative. She also got stabbed in prison, but we will find out in the next season if she lives!

Dmac’s return to the streets injects an unpredictable element, leaving fans speculating about the potential twists in his character arc. The notion of him moving to New York and collaborating with Tariq and Brayden presents exciting possibilities for future storylines, reshaping the dynamics among the younger cast. But I had to laugh because he actually thinks that the drug game is all roses, but he will find out very soon that it’s now.

The revelation that Mireya is not dead but forced to leave town by Miguel introduces uncertainty about her relationship with Tommy. The promise of her return, coupled with the anticipation of the ensuing complications, adds layers of complexity to Tommy’s character arc.

In conclusion, while Power Book IV: Force did not deliver a groundbreaking finale, it effectively laid the foundation for future plot developments. The restrained approach to character fates, Claudia’s imprisonment, Dmac’s unpredictable role, and the unresolved storyline involving Mireya leave viewers eagerly anticipating the next season and the potential unraveling of these captivating plot threads.

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Invincible Season 2
EntertainmentFeaturedTV

Invincible Season 2, Part 1 Review

by Julian Cannon
written by Julian Cannon

The second season of Invincible takes us deeper into the intricate world of its characters. When Omni-Man isn’t helping with Viltrum’s expansion plans, he leads a seemingly ordinary life as Nolan Grayson, alongside his wife Debbie. Mark, his son, has embraced his powers as Invincible.

Based on Robert Kirkman, Cory Walker, and Ryan Ottley’s comic series, Invincible manages to maintain the complex storytelling of its source material. The first season’s shocking revelation of Omni-Man’s true nature sets the stage for an intense battle that has dire consequences for Chicago and its residents.

A poignant aspect of the season is Debbie’s struggle with depression and alcoholism, offering a raw portrayal of her pain. The series addresses concerns about its pacing, delivering more focused storytelling, emphasizing the idea that superpowers do not inherently create heroes but often lead to danger. The introduction of Angstrom Levy, a multi-dimensional portal manipulator, highlights the consequences of good intentions gone awry.

Familiar characters return with their own unique quirks. The Lizard League remains bumbling, while the Mauler Twins bring humor as they navigate their clones. The eccentric Doc Seismic introduces a philosophical perspective, and the Atlanteans are enraged by Omni-Man’s actions. Mark and Amber begin college life, their experiences reflecting the challenges of dating a superhero.

Amidst new beginnings, the threat from outer space looms, reminding us that the Viltrumites won’t let go of their grudges. The complex father-son dynamic between Omni-Man and Mark adds depth to the narrative, leaving us eager to explore the unresolved issues.

The season’s finale for the first half showcases Mark, Amber, and William’s graduation in a charming scene. As the series delves into more nuanced aspects of superhero life, it leaves us contemplating the evolving landscape of the superhero genre, from a childlike fascination with Superman to the teenage angst and violence explored in this generation of superhero narratives. We’re left wondering what a mature, Zen-like superhero story might entail in the future.

In the case of Invincible, it’s evident that the decision to split the season was made with the intention of delivering a high-quality viewing experience. While the wait can be challenging, it’s often well worth it. This structure allows the creators to take their time to deliver a satisfying and well-executed story. So, while the wait may be difficult, it often pays off in terms of the final product.

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Entertainment

Fear The Walking Dead Season 8, Episode 9 Review

by Julian Cannon
written by Julian Cannon

This week’s installment of Fear The Walking Dead offers an emotional rollercoaster that keeps viewers engaged and invested. The standout performance of Austin Amelio as Dwight is a testament to his acting skills, bringing depth and authenticity to the character.

Dwight’s journey takes a compelling turn when he encounters Jay, whose storyline eerily mirrors Dwight’s introduction to the series. Jay’s harrowing experience, losing his wife and son to the group at the sanctuary, injects the narrative with a poignant layer of tragedy and resilience.

The episode delves into Dwight’s tumultuous past as a Savior, a theme that amplifies the complexity of his character. Notably, the scene where Dwight places a character into a furnace harkens back to Negan’s brutal methods, underscoring the internal turmoil Dwight grapples with.

The tension and emotional weight continue to escalate as Jay undergoes a grim transformation into a walker. Dwight’s heart-wrenching plea for Daryl to end Jay’s suffering encapsulates the raw essence of the show’s exploration of morality and humanity.

In a thought-provoking subplot, Dwight faces off against Sherry, highlighting a moral quandary. Sherry’s determination to convince Dwight to return to PADRE and honor his late son by training the abandoned children provides a compelling ethical dilemma.

Overall, this episode brilliantly explores the characters’ shared pasts and their ongoing struggles to find purpose in a post-apocalyptic world, making it a standout installment in the series.

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Power Book IV: Force Season 2, Episode 9 Review

by Julian Cannon
written by Julian Cannon

In this week’s gripping episode of Power Book IV: Force, the tension and suspense continue to mount.

Mireya’s reaction to the escalating conflict between Miguel and Tommy is entirely relatable, considering the dire consequences of their rivalry. As the Feds intensify their pursuit of Vic, his predicament becomes increasingly precarious, keeping viewers on the edge of their seats. The characters of Mireya and Abuelita, both strong and resilient, take intriguing and unexpected turns, adding depth to the storyline.

The bombshell revelation of Nunez’s betrayal further complicates the intricate web of alliances and enmities within the series. Tommy’s relentless pursuit of Shanti hints at an impending clash, promising heightened drama. Jenard’s growing importance to Diamond is evident, and Diamond’s willingness to eliminate threats, like the cranium-headed traitor, underscores the brutal nature of the criminal world.

Tommy’s strategic prowess shines in stark contrast to Miguel’s brute force, emphasizing the critical role of Mireya’s intelligence in their operations. However, the episode leaves us pondering whether Tommy should be more vigilant against lurking dangers. While the Bobby and Stacy storyline may not resonate with all viewers, the episode’s conclusion piques our curiosity about the upcoming finale.

Jenard’s loyalty to his brother appears unwavering, although I hope he discontinues any schemes against Tommy, as that path seems destined for a tumultuous outcome. It seems likely that Tommy and Diamond will become embroiled in conflict due to the seeds Jenard has sown in Tommy’s mind. While I hope for a different direction, Power has a history of reusing storylines. I wouldn’t be surprised if the finale culminates in a showdown between them.

The lingering plotlines, such as Vic’s drawn-out storyline and Mirkovich’s surprising survival, leave us with questions about the series’ direction. It’s particularly intriguing that Miguel remains unaware of Tommy and Mireya’s collaboration, suggesting that the forthcoming episodes hold more unexpected twists and revelations. Overall, this episode maintains the suspenseful atmosphere that has come to define Power Book IV: Force, leaving viewers eager to witness how this gripping narrative unfolds.

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Fear The Walking Dead Season 8, episode 8
EntertainmentTV

Fear The Walking Dead Season 8, Episode 8 Review

by Julian Cannon
written by Julian Cannon

In this week’s episode of Fear The Walking Dead, we see it is Charlie’s last episode. But before that, Madison, Strand, and the rest are on a fetch quest.

Inside a store, their paths cross with members of PADRE who are in the process of securing valuable gas supplies. Amidst the search, Madison believes she spots a walker who closely resembles her daughter, Alicia. This prompts a reunion with Luciana, highlighting the bond between these characters.

Madison, who has endured immense loss, becomes determined to put the Alicia to rest and move forward if she sees her as a walker. The group then learns that Luciana’s gas station is, in fact, an outpost and their supplies are sourced from PADRE’s containers. The ever-present tension escalates when Madison encounters Charlie, only for her to discover that she was the one responsible for her son Nick’s death.

This revelation sparks an emotionally charged confrontation between Madison and Charlie. The exceptional acting performances by Kim Dickens and Alexa Nisenson provide depth to the grief-stricken mother and remorseful Charlie. Their intense argument delves into the complexity of their relationship, with Madison grappling with her desire for revenge, while Charlie contends with the weight of her actions.

However, it is important to point out that the decision to have such a confrontational scene, followed by Charlie taking her own life later in the same episode, leaves a lingering sense of inconsistency and lack of closure. After being treated for radiation poisoning at PADRE, Charlie was living with Luciana and dedicated herself to a mission that spanned several years to expand a trade network. Although it was good to know this information, it is more of a tell, but do not show. But then again, there are only a few more episodes left for this season so there is not enough time to tell that story (which it should have been given more time).

Madison’s line of “why is she still here” about Charlie echoes the sentiments of the Walking Dead community, as they question the continued existence of her for all these years. Strand’s response, emphasizing second chances, means nothing to me, to be honest.

Daniel’s is too humanized and this element, and’t resonate well with some viewers, who find it difficult to suspend their disbelief in light of his past threats.

The culmination of the episode sees a predictable and somewhat repetitive confrontation between Troy and Madison’s group, characterized by the usual standoffs and prolonged discussions. This approach feels overly familiar and cannot deliver a fresh dynamic in the narrative.

In conclusion, this episode of Fear The Walking Dead is rather mid, offering limited substance to the overall storyline. The exceptional acting by Alexa Nisenson stands out as a highlight, although it feels as if characters are required to channel their full acting prowess only in their final episodes, rather than throughout the series.

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